You may have to paint some of the areas that won’t burn or dodge completely. Do the same with the Burn tool, using it to burn the shadows. Now, using the Dodge tool, set it to affect only the Highlights, and begin dodging the lighter areas. 4Īdjust the Levels (Image>Adjust>Levels) on the new, duplicated channel to make the image contrast even more. 3ĭuplicate the channel by dragging its thumbnail to the new channel icon in Photoshop’s Channels palette. For this photo, I’ve chosen the green channel. Look for something with a good amount of contrast, in which the darks of the figure stand out from the background. In Photoshop, examine the three channels. Try to avoid something with weird angles or extreme foreshortening. Keep in mind how the figure will look in silhouette. A figure shot on a flat white background is ideal, but one with fairly good contrast should work fine. Knowledge of Photoshop channels will help you work through the steps, but is not required. This tutorial will demonstrate how to create a vector silhouette from a photo using Photoshop plus Illustrator’s Live Trace tool.
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